Drawing gives me the opportunity to truly see. As an artist, I do not casually observe my surroundings nor take them for granted, but rather view the world as a creator and architect of my own artistic vision. I have never been interested in simplification-on the contrary it’s the complexities and how we see them that drives me to spend countless hours on a drawing. This act of drawing enables me to gain insight and understanding of intricate structure, whether it is a human figure, face, an isolated eye or a tempest of trees. Drawing pushes me to examine every aspect of what I see – every pore and hair follicle, every leaf and branch. I become immersed in my observational skills and depict my vision in a way that a casual observer could not.
Once a drawing is complete, it is no longer related merely to the artist, but becomes a starting point for the viewer’s feelings and imagination. This alignment hopefully transcends the ordinary and the overlooked to something approaching the metaphysical and sublime. Photo-realism itself does not interest me in the least; realism does, details and textures do, ultimately seeing what others fail to see, until they see it in my work. When this is achieved, the collaborative relationship between the artist and viewer reaches its climax. Ultimately, and interestingly, the climax is a humble interpretation of the greatness of nature.
“A good “rendering” represents what a person sees, but “a work of art” illuminates what others do not.”
Basically, it is my approach to art as well. I think this concept can hold true to many of the arts like music and language.